Funky Friday: WeSingSin

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WeSingCin – Balance

Mr.y (mist(ə)rē), better known as WeSingCin, is a 22 year-old artist without a definite home. He was last seen drifting into the shadows after hearing the whispers of the Bad Magician.

To live one’s life as honest and true to one’s self is the mission behind WeSingCin’s music. It’s a direct line into the thinking process undergone throughout his day-to-day life. Growing up in a more than religious household, the foundation that was intended to be set forth was the distinction between a righteous or a sinful lifestyle. However, those two things are subjective. In choosing to speak on his own truths and being transparent within his work, WeSingCin hopes to challenge the belief of what, precisely, “living right” entails.

If any of you still have any concerns about Mr.y and where he disappeared off to, speak softly and listen closely.

 

Interested to learn more about this artist? Check out our interview with him here.  You can also find his SoundCloud here!

Written Wednesday | Interview With Shawn Crysis

The mission has been revamped for the current time. Shawn Crysis, bred from New/North Brunswick, New Jersey, has had change at his core from the moment he realized the impact he can have. Passion rivets through him as he expresses all phases of his life, thoughts, dreams, questions and everything in between. This is for the bigger purpose of aligning the world with love and truth. He is #hereforthechange.

Shawn Crysis, is a writer, poet, rapper, and a performer. We got a chance to talk to him about being a multi-faceted artist in the digital age. Read on to find out what we learned!

Tell us about your journey and introduction to poetry/rap.

Before all, it was poetry. I had a crush on a girl named Tamilia in middle school and my interest sparked from there and I began to write. In total, though, I probably only wrote  4-7 poems during those times. Then it started as a love for making beats on lunch tables; I used to be the unofficial drummer for the cyphers at my high school, NBTHS. When everyone was done rapping, the crowd was just in awe; the words that flew out were tight. And in certain times, I was able to control the pace of it: how the breakdown sounded with the bars that were coming. But, the rappers were always given the love.

 I wanted that kind of love and appreciation so I began to write. I broke out my Sidekick (cell phone), opened the notes, and began to write. I noticed that I made sense a lot, and I enjoyed making things connect and associate with each other. Words were fun. I then brought them to the lunch tables and my peers were feeling it. I remember practicing mad freestyles to make sure I had something to spit.

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From there, I got into the studio first with my boy Marquis. He was rapping as well so we formed a group called L.S., short for Light Skins *LMFAO*. We made, probably, a total of 5 tracks and I loved every bit of it so I continued to write and flow. Actually, if you look up L.S. – One Night Freak on Youtube you’ll see the work. The rest I have archived for my own amusement *LOL*.

After writing, I began to see it was making me happier and helping me process through events and situations in my life. Writing brought me clarity and a different perspective. It was therapy after a while. My first album, Table for One, was just that – therapy for self before I ever cared to appease the ears of folks. It was about aligning my self with me.

From there came performing. My very first open mic was at Soul by the Pound in New Brunswick, NJ and I had to sit down, actually, due to my nervousness. But they (the audience) enjoyed it. They enjoyed my life, pain, questions and struggle I was dealing with. They could relate. That’s when all hell broke loose for me. I loved giving my words in any form I can, song or spoken word.

While your music is easily accessible online, you do have CD’s available for sale. Tell us about what you learned regarding selling music this way in today’s digital world.

It is more personable. You know your answer right then and there whether someone will support you rather than waiting for a follow or a comment. It’s a more genuine connection with someone, especially cause it was done face to face – breaking todays social norms of actually interacting with people and allowing an actual relationship to be formed. I remember almost every face. It is bit harder, though; especially ’cause CD’s are becoming obsolete, more especially if you don’t have a car to listen to it in. But, the aspect of going up to someone to ask them to buy something from you makes it easier for online sales to be interacted. For me, now, it’s learning the marketing behind it.

Which way do you find more popular and why?

Online. The network is endless and folks are reachable at literally anytime of the day. I can be working or on the toilet making a sale or having someone tell me about my music. It is Mr. Fantastic reaching level, from Jersey to Beijing all with the click of a button.

Which way makes you feel more “successful”?

Hand-to-hand. You see the impact that you had on someone and their willingness to support, especially if I just performed. It’s like getting paid at the end of the day when you work and not waiting for a check. Someone enjoyed me and connected so much that they will support me to keep on doing it. I love that and I pray that it helps them do what they want to do.

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What was your inspiration behind your most project “nice to meet u ep (a she cursor)”?

She is. She is the women I have been in relationships with. Things I have learned, gained, took, given all while still appreciating who she is to me. It is my ode to woman. ‘nice to meet u’ is the pre-cursor, (she-cursor) to my album entitled she. which is an acronym for she’s his everything. It is the exploration also of my voice and looking into ways to bend it, pitch it and still make good sounding music while giving some bars.

In what ways do the samples used in the project help convey your message?

It helped set the tone of what the song was to be about or the feel I wanted to give. Earth, Wind and Fire was about how she was all of these natural forces all in one; in each verse, each beat breakdown/switch up I used the elements and described who she is to me. Sade eloquently provided the soul of the track and I followed suit.

Never Let Me Go was a quick run, something of an interlude but still a track, still impactful, still meaningful and pivotal. As just as quick the sample and tempo was, I wanted to match that and began to drift in between it.

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You have been seen performing at various platforms across the country. How do you secure a spot at these venues?

Networking from past events, people will inquire if I want to participate at the event. If I can, I’m there. Before being reached out to, it was looking in every nook and cranny of the tri-state area to find out where there was an open mic or showcase that I can be a part of. My friends would also tell me about events happening and who to contact if they seen a flyer online or knew someone.

Tell us about your experience(s) with competitions using your art.

I have made it to California for free – flight, room and board all paid for. I was apart of Daze Summit created by Scott Morris, which is a week long run of music shows, workshops, and a panel in NYC. It’s main purpose was to generate scholarship money for high school students.

This past year was the Fly Me to LA edition in which the two winners would receive an all expense paid trip to California for the BET Awards and I was sold on it right there. Being apart of the Deans List Tour, a musical artist based tour out of NYC, helped greatly with the gearing and rearing of performing and artist development. Having been apart of that, I knew that I had to simply perform my heart out -in which I did.

In a certain case when performing solely poetry, I was in the running to be a part of the New Jeru Slam Team. It was a heavy day when it comes to the greatness that was in that room and I had no idea that there people were SPITTING. There is something about poetry that I love with every inch of my heart. It enthralls me because I appreciate the words of people and what they are saying -and they were saying some SHIT! Sadly, I did not qualify to be a part of the Slam team. But, just the experience of doing it riveted me to want to try again. I love being heard, I want my words to be heard, no beat, no melody, just me.

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While also working towards growing as an artist, you volunteer your time at local schools to work with kids in exploring their own artistic identity. How have these experiences been for you?

Shawn luhh da kids! They teach me so much about the world they live and how it impacts them directly. I’ve learned about the school-to-prison pipeline working at the Dr. Marion Bolden Center in Newark. Having them (the students) explain what is so relevant to them and the sensitivity of being in the face of the dragon inspires me to help sharpen their blades. They bring me glee and hope for the future. Seeing them doing what they love to do brings me so much happiness. I want to let them know that their art, their talent, their actions are appreciated and can take them anywhere they choose to go. They explore a territory in which the process isn’t celebrated, only the creation. But it is showing them to celebrate the process of trying new things, failing, resiliency, all while trying to get what is in their mind out into the world.

Tell us how your life experiences have shaped your artistry.

They allow me to speak my truth and uncover my lies I have told myself. They make me deal with things I’m afraid of or unwilling to. They allow the passion to speak through me and come out as vividly as it came in. They teach me more about myself and the world and how to portray it to myself and others. It has been my life and while the artistry is only a part of me, it’s a major component of how life has been experienced.

Written Wednesday| Interview With Jonathan Stamper

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Jonathan Stamper has been singing since he was 4 years old. He plays several instruments, writes and produces original music, raps, and acts. Jonathan has toured Portugal and Spain in addition to singing backup for superstar recording artist Sting. Jonathan is not only the Flagship Artist but is also the Vice President of Artist Relations for Block IV Entertainment and CEO of Dominant Collective, a networking and artist development company built for empowering young artists. He has performed at many local community events such as the city of Newark’s annual 24-Hours-of Peace event in which he wrote the song The Drug PSA. This song awarded members of Dominant Collective as the winners of the N.J. Shout Down Drugs competition.

If you are interested in hearing more of Jonathan Stamper, you can find his music on SoundCloud. Check out his album Summertime Vibes below. To find out more about him, continue reading! 

 

 

Tell us about your collective (Dominant Collective) and the role you play in it.

Well basically, Dominant operates as a community of creative people. We all bring different skills and styles together to collaborate on all kinds of projects. I’m the leader, the CEO. I’m also the artist that connects the rest of the artists to opportunities that will help them further their career.
What are the biggest factors that played a part in your growth as a musician?

Meeting my stepdad for sure. He opened me up to so many different genres of music. He’s also the person who got me to rapping and singing. I didn’t think it was possible before he told me it could work.

As a rapper and singer, how have you struggled with trying to balance and/or blend the two?

I always struggle, haha.. my goal has really been to blend them to the point where I’m so fluent in both that I flow seamlessly from one to the other, like Spanish and English. For a long time the balance was so hard to strike. But, I think there isn’t a perfect balance. You serve each song, album, and audience what they need at that given time. This makes every experience special.

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How does your faith connect with your music?

It’s really my foundation for everything. I try my best to tell honest stories and relate to everyone so everyone feels like they’re heard and understood. But, ultimately, I want them to know there’s hope at the end of every struggle we face. Jesus is that hope for me.

Tell us about your experience with connecting with the community in your hometown.

Honestly, I’ve always been about home. I want to travel the world, but the city that really shaped me is Newark. It made me who I am. I feel connected there forever so i want to represent them well. Not just that, but help to see the city thrive in any way possible.

How about outside of your hometown?

 I want to connect to the world. At the end of it all, I want to have a reach that is so much greater than me. So, if I can affect communities all over the globe and leave my mark in a positive way, that’s the best way to create a legacy that can stand the test of time.

You’ve performed at various venues across the country. How do you decide which venue is “worth” traveling out for?

It really depends on the kind of crowd, the influence of the event, and how much creative freedom i have. I just want to perform anywhere where true creativity is welcomed.

Your performances include a lot of high energy and crowd engagement. What is your advice to other artists in terms of being comfortable on stage and working a crowd?

If you’re not nervous, you’re in the wrong profession. But, know that once you start, you gotta be all in. Also, understand that every person won’t accept what you offer or match your energy. But, be unapologetically you no matter what and people will respond.

What your favorite record you ever recorded?

That’s hard man. All my songs are like my kids. But, if I had to choose one, it’d probably be a song called “Uptown”.  Even then, it would probably change if you asked me in a couple hours.

 

How important is it as an artist to have a manager and/or team behind you?

It’s crucial. No man is an island. Even the most talented people can’t see or perceive everything. We got to have people we trust to take on our vision and help us get to where we want to go. Otherwise, we won’t accomplish anything of significance.

Rate and explain the level of importance (in terms of crowd attraction) between singing/rapping a cover versus an original piece

I think putting your spin on someone else’s work is one of the most underrated forms of creativity. If you have a mind creative enough you can take anything and make it your own. Covers are one of the best ways to test those creative limits.

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How does sampling music/songs inspire you?

Sampling always challenges my creativity. I want to invoke a feeling of nostalgia with innovation whenever I sample an artist. I want to connect their story to mine and the audiences. So, the sonics of it are just as important in crafting a story as lyrics because music can take you to a place. That’s the beauty of sampling, taking you somewhere familiar and uncharted at the same time.

What should one look out for when doing something like this?

Be original. Don’t just copy what was done. Add your sound and your touch to what they did. Also, do the sample and the artist justice. If you’re going to take from their piece, make sure that it honors their work and is on par with it. That’s the best way to do it.

Do you have any advice for someone interested in pursuing the arts as a career? How can one know this is what they want/what is meant for them?

The best advice I could give someone in that position is to figure out if you really want it  or if you just want popularity and fame, because that’s not enough to sustain you. You have to have a deep love for your craft and a security about yourself to be successful.