Dena Igusti navigates the complexities of being in “an invisible diaspora” in her forthcoming book Cut Woman, published with Game Over Books.
Cut Woman is a collection of poems that tackle grief, loss, and anticipatory mourning as a result of Igusti’s experiences as a Muslim Indonesian survivor of female genital mutilation.
“One of the things I love most is when a poetry book forces me to slow down, to linger in every pause between breaths and reckon with the awareness that Reading is, itself, an act of consumption.” George Abraham, author of Birthright (Button Poetry) says in Cut Woman’s blurb. “Dena Igusti is a poet of undying urgency – this is a bold, heart-shattering chapbook debut.”
Dena Igusti has explored Indonesian, Muslim, and queer identity in separate entities in past works and projects. Her co-written Off-Broadway play SHARUM navigates shame in Muslim communities. She has discussed being Indonesian briefly for Muslim Girl and Buah Zine. She alludes to her queer identity in some of her poems. In Cut Woman, Igusti puts all of her identities at the forefront, and in the face of mortality.
“With a deft, devoted hand, Dena Igusti weaves alienation, grief, desire, and defiance into an indelible tapestry of survival and celebration. They show us that mortality is not a deadline but a continuum. We will die, but we will also cry, and shout, and love, and dance, and live on.” Teta Alim, founder of Buah Zine states.
Dena Igusti also hones in on what it means to be a Muslim survivor of female genital mutilation, and the honest relationship with her body in the midst of Islamophobia and xenophobia.
“Igusti’s work asks what is the metaphysical conceit of the cut? from whom or what are we cut? what are the rules of being cut & the life after? when they cut they cut the american light with their brown flicker, they incise the language, they puncture a privilege, & they work with inherited blood. This is a play of radical vulnerability around the self, a play of no games.” says Trace DePass, author of Self Portrait As the Space Between Us.